Finger crossing on a virginal Playing an antique harpsichord with old fingerings Plying a double French harpsichord with early fingerings Playing a historical organ with Baroque fingerings


by Claudio Di Veroli

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Baroque Keyboard Fingering: A Method, eBook

Baroque Keyboard Fingering: a comprenehsive method


This is a traditional-fingering method for students and performers of Baroque keyboards.

Scales and other passages are resolved with 54 fingering Rules based on original fingerings from Baroque era sources.

Old-style fingerings are also suggested by the author for many difficult passages in the Baroque keyboard repertoire.

After the first version of 1983, enhanced versions of this Method have received very favourable comments, including an endorsement by the late Igor Kipnis.

This 7th revised edition, published in August 2016, is based on decades of studies and practical use in public recitals, and is as always the most comprehensive work in the field, with 176 fingered passages and a bibliography of sources. Bray Baroque has also published the following companions of this eBook:


Baroque Keyboard Masterpieces Fingered with Baroque Technique

Baroque Keyboard Masterpieces FingeredA comprehensive set of Baroque keyboard pieces, fully fingered according to the principles expounded in the book Baroque Keyboard Fingerings: A Method. The scores range from easy to advanced and cover most of the technical difficulties and tonalities found in the Baroque repertoire.


J.S. Bach's Keyboard Partitas with Baroque Fingerings and a Performance Guide

Bach Six Keyboard Partitas FingeredFirst published score fully fingered with the technique in use in the composer's milieu.
A 58-page introduction covers the editorial method, informations about the fingering, suggestions for interpretation and the correction of errors in Bach's original edition.

F. Couperin's Pieces de Clavecin Fingered with Baroque Technique, vol. I

F.Couperin Pieces de Clavecin Fingered with Baroque TechniqueComplete Ordres 1, 6, 8 and 11. This is the first published score fully fingered as per the composer's treatise L'Art de Toucher le Clavecin. A 36-page introduction covers the editorial method and includes, for every piece, information about the fingering, suggestions for interpretation and the correction of errors in the score.

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